The video below is a pre-requisite for the 2 day writing and performance intensive. Here we introduce you to the women and the work behind Healing Waters Productions’ collective brilliance.
Registration Open Now!
Our Next Creative Writing Intensive
The Application opens January 15th, 2026. Sliding Scale and scholarships available.
Mama Stories: A New Project
Actors Bridge Ensemble and Meharry Medical College’s Maternal Health Excellence Research Center in the School of Global Health present MAMA STORIES, the latest choreopoem by acclaimed Nashville artist Cynthia C. Harris.
Based on nearly 90 interviews with women sharing complex, emotional, and heroic stories of pregnancy, birth, and motherhood, this world premiere production runs November 13–15, 2025, at Darkhorse Theater.
MAMA STORIES by Cynthia C. Harris
Thurs–Sat, Nov 13–15 at 7:30 PM
Darkhorse Theater
$25 in advance / $30 at the door
MAMA STORIES stars playwright/director Cynthia Harris along with Raven Buntyn, Briana Celeste Finley, and Chan Murrell.
The Experience: 2 Nights Only
THE EXPERIENCE
A gathering of wild hearts, wise women, and holy troublemakers.
This Saturday features:
Vali Forrister, Cynthia Harris, Dia Hodnett, Nichole Perkins, and Heather Laine Talley
🗓️ Saturday, May 24 at 7 PM
🎟️ Tickets: $30 — includes food, drink, and a seat in the circle
https://ci.ovationtix.com/35263/production/1238574
👯♀️ Audience: Women-identifying, 21+
THE EXPERIENCE
isn’t a performance.
It’s an invocation.
Health Narratives 2025 – MPH Student Choreopoem
Spring 2025: Art and Health
Illuminating stories about Black Women’s Health
I have a vision. It has been with me for decades and grew from my experience with traditional West African dance in a community setting, a failed semester in college, dancers becoming family and the Urban Bush Women summer dance institute. I want a life that brings me joy and allows me to be in circles with Black women, listening to stories, dancing, cooking, playing, holding babies, creating, sharing solutions, and being medicine for each other. Music to me was the sound of my mother and her 4 sisters or the power of my aunt performing gospel music with four other women and feeling like a full mass choir. The little girl who first dreamed of being a doctor and a ballerina, figured out a way to make it happen.
Here in 2025, I find myself managing a women’s health research center at an HBCU and researching methods for using qualitative data (interviews and personal stories) to create theater that can heal and educate. I am working with graduate students in public health, adolescents and artists. I bring Black women’s stories to life on stage with the intention to illuminate our brilliance and power.
This year has been busy with art making.
January to April I co-facilitated autobiographical writing circles with justice impacted women at Deborah Johnson Rehabilitation Center. I watched 8 women come to voice in the most beautiful way. The smiles at their final performance will feed my should until we meet again next Spring.
I trained two graduate research assistants in my choreopoem creating methods. In turn, they transformed interview transcripts from research on Black women clergy and their experiences with sexual health education in churches. The monologues were performed as s surprise to the key researcher at the Bold Women, Bold Ideas: Innovation in HIV prevention.
We also presented a choreopoem based on the autobiographical writing of public health students.
The Vagina Monologues 02/13/25
Actors Bridge presents The Vagina Monologues at City Winery Nashville on Thursday, 2/13/25. The event is a fundraiser for the outstanding writing and performance program, Act Like a GRRRL!! Doors open at 6pm and show starts at 7:30 pm.
Ticket Link: https://citywinery.com/nashville/events/actors-bridge-ensemble-presents-the-vagina-monol-8fvi76
Public Comments on WXNA
Very excited to chat with Lydia and Christine about what progressive means in the Nashville Arts scene.
February 1, 2025
Health Narratives: A choreopoem
Lead artist, Cynthia C. Harris, MPH will serve as playwright and facilitator for proposed choreopoem and performance project, funded in part with support from a Metro Arts THRIVE Project award. In partnership with Leah Alexander, PHD, MPH Director and Associate Professor with Meharry Medical College’s Master of Public Health (MPH) program in the School of Graduate Studies. Thirteen second-year students will work with the lead artist to develop an original choreopoem around the social and political determinants of health as they impact their own lives.
Ms. Harris is uniquely suited for this work based on her 20 years of practice and training in behavioral health, cultural competency, and community engagement. Ms. Harris has led several programs based in autobiographical writing and performance. Ms. Harris has been creating original choreopoems since 2002 and creating a resurgence of the choreopoem for Nashville audiences, with plays like HOW TO CATCH A FLYING WOMAN(2018) and THE CALLING IS IN THE BODY (2022), which have both received high praise from audiences and critics alike. The term “choreopoem” was first coined by playwright Ntozake Shange, a dancer and poet, to describe her groundbreaking work For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf. It has come to represent a body of work that combines personal narrative, oral history, movement, and music. Choreopoems are a particular form of artmaking that speak directly to the experience of being Black or marginalized in America, playing on Black Aesthetics of performance, like call and response. The choreopoem focuses on creating an emotional response from the audience. Ms. Harris believes this emotional response to be an important tool for sharing and processing factors that impact the health of communities of color.
The Creative Team!!!
Beginning with an introduction to choreopoems workshop, created and facilitated by Cynthia C. Harris. MPH, students will be guided through the process of creating autobiographical monologues, songs, and poems from writing prompts. A vocabulary of movement to be included in the final performance will also be developed during the Fall 2023 semester in conjunction with their Health Education and Promotion course, which is required for all second year graduate students. The performance will be further developed and rehearsed during the Spring 2024 semester. Student-participants will be welcomed to perform or the lead artist will identify community artists to join the production as needed.
Actors
Tyler Bibb
Briana Finley
Milton Jackson
Patrićyonna Rodgers
Natalie Tita
Brayonna Townsend
Co- Directors
Cynthia C. Harris
Alicia Haymer
Choreography and Movement Direction
Gabrielle Saliba
Producer and Acting Coach
Vali Forrister
Writers
Sydney Batts
Robyn McDaniel
Mia Barber
Maurice Swift
Dr. Leah Alexander
Tredarius Lassiter
Kendra Bettis
Kaylah Dowdell
Jayla Williams
Sariah Harris
Elijah Johnson
Doresha Robinson
Alisha Puri
Alexis Cunningham
Healing Waters Productions 